quinnie captivated us from the first line of her new single ribbons. Lyrically abstract and expressive, she offers enough imagery to puzzle this narrative together. That sneaky detail makes for a fun first listen, as you conceptually fade out to see the full scale of her story. The arrangement is equally smart, as the rhythm design jives with progressive appeal.
In tandem with the unique lyrics, the song is full of compositional surprise. quinnie could draw comparisons to Big Thief and Feist. Mostly charming and clever, ribbons gets heavy in its final anthemic section, offering an opportunity for a trademark moment courtesy of an in concert singalong. A catchy tune in any light, we recognize the importance of this message beyond the lure of melodic grace. The revelations within ribbons represent a valuable cultural movement and very much speak to what’s happening now.
Hear ribbons now on our Best New Indie Playlist.
We got lost in the intoxicating vocal performance heard on Don’t leave me, the new single from TedStedt. Their hypnotic melodic instinct navigates the songs range with emotion and a charming candid flow. It lends itself to the narratives foundation, a story of heartache and a plea for one more chance. Where forgiveness is lost infatuation still takes hold, in the rules of love it’s almost unfair.
But alas, all is on the table when it comes to romance, and TedStedt takes no prisoners on this nostalgic masterpiece. Stylistically they bridge the gap between the dreamy indie pop leanings of Cigarettes After Sex and the mainstream appeal of Silk Sonic. Like Silk Sonic there’s a retro appeal to Don’t leave me. It’s a sense of timelessness and an affinity for the works of Motown and 50’s R&B. TedStedt gives it new wings to soar, Don’t Leave Me is glorious.
TedStedt is featured on our Best New Indie Playlist.
LB Beistad adds to her haunting appeal with the seductive new single Why Don’t We Go West. Dreamy indie pop with swagger and a punchy beat, LB Beistad could draw comparisons to Fleetwood Mac’s pop era. The production is dreamy, tied together by a tight beat. Her voice, rich and vaguely smokey, has its own trademark quiver. There’s an indie sensibility to her writing, an inclination to put the vibe first.
The mix retains an analog warmth and vintage haze. Likewise, the performance feels real, unaltered, and natural. It teases nostalgia without risking replication in the least. Lb Beistad should also connect with fans of Mazzy Star and The War On Drugs. Why Don’t We Go West is a sure thing for fans of dreamy smart indie pop.
LB Beistad is featured on our Best New Indie Playlist.
Reggi Roomers is both innovative and catchy on their recent Melting. The rhythmic design flows fluid but in a deceptive manner. That curious design gives the track an autonomous aura. The stuttering bass line in conjunction with the smooth falsetto vocal adds an influence of vintage soul, adapting the percussive palette with afro beat flavor.
Melting bridges the gap between experimental soul and modern indie pop. The melodic tendencies have the contemporary sway of Lake Street Dive, while the innovative production palette connects with the works of Danger Mouse or Ariel Pink. We dig it immensely.
Hear Melting now on our Best New Indie Playlist.
The Wild Is Calling 