Laura Lucas caught our attention with her latest single release, “The Atlantic,” a dreamy indie folk ballad that immediately leaves us wanting more. We love the soundscapes created in this tune. Laura goes against the grain here, so to speak. Instead of utilizing classic folk instrumentation, she goes with a more modern, indie inspired style that includes bass synth tones, droning overtones, and a myriad of vocal sampling.
The harmonies are on point and masterfully produced; shining through a densely packed mix while retaining that airy, ethereal quality. We hear similarities to Faye Webster and bands like The Marias in this tune and we think fans of both will instantly connect with Laura Lucas and her groundbreaking experimentation in the indie-folk scene.
Hear her now on our Indie Folk 2025 Playlist.
Up next is Ponzi with their most recent single release, “Birmingham,” an introspective sonic journey that reminds us of modern indie folk sensations like Vance Joy and Noah Kahan. We love the building instrumentation in this tune. What starts off as one acoustic guitar track develops into a mix of multiple electric guitars, a blaring organ, full drum kit, and an array of atmospheric overtones.
Harmony is used in a reserved, sophisticated manner in this one; adding to the overall groove and feel of the song without being overdone or overtaking the lead vocal melody. We look forward to hearing more from this Nashville based emerging indie folk band.
Hear them now on our Indie Folk 2025 Playlist.
Emerging indie-folk artist Reins‘ debut single release, “Revolutions,” immediately caught our attention with its upbeat, neon vibe and uplifting lyricism. Right off the bat, we hear influences from bands like Mumford & Sons and The Lumineers, exemplified by their elite harmonies, intimate vocal timbre, and folk instrumentation. We love the feeling in this song. Vulnerable emotions are conveyed with ease, allowing us to connect with this artist and see the world through their eyes.
Blending lyric-driven indie folk with cinematic and electronic elements, Reins’ sound seeks to soundtrack the liminal spaces – where the tree line ends and the city lights begin – to harmonise the birdsong and the sirens. Be on the lookout for more.
Hear it now on our Indie Folk 2025 Playlist.
The Duke of Norfolk is back with their latest single release, “I Have Never Seen Volcanoes,” an experimental and eclectic take on the modern indie-folk scene. We dig the use of brass instrumentation as well as the combination of electric synths and guitars carrying the melody as one. The vocals are raw and unapologetically authentic in this tune, avoiding being overproduced and retaining that natural, emotional feel.
Fans of The Avett Brothers and Bon Iver will instantly connect with this band’s aesthetic style and exploratory vibe. We highly look forward to hearing more from this up and coming indie-folk group in the near future.
Hear it now on our Indie Folk 2025 Playlist.
The Wild Is Calling 